
THE
SECOND EVOLUTION
BY
DANNY VENDRAMINI
THE
PRINCIPAL
TEEM THEORY HYPOTHESES
Page
1 (of 3)
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Although
teem theory applies to all multicellular animals, when citing
examples, I’ve
mostly used humans because most of us are interested
in how teems
affect our
own
species.
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1
The
second evolution hypothesis
The
‘second evolution hypothesis’ argues that evolution on this planet is
regulated
by two separate evolutionary processes. In addition to natural
selection which
regulates physical evolution, (plus a small number of reflex
behaviours), a
second process emerged about 540 million years ago (which I call
‘teemosis’) to
regulate innate behaviour and instincts in multicellular animals.
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2
The
teemosis evolutionary process
As an evolutionary process,
teemosis is
unusual because it doesn't affect physical characteristics. In fact, it
only
regulates the evolution of one thing – emotion, and only in
multicellular
animals. Significantly though, emotion can function as a biological
language that
can encode adaptive experiential information into DNA where it can be
inherited
to the next generation.
The teemosis process allows powerful emotional
responses (to singular environmental events and circumstances) to be
genetically encoded into DNA. These archived emotions provide the
individual
with an ‘emotional memory’ which can be inherited to offspring Because
this
emotional memory is encoded by powerful, traumatic emotions, I call it
a ‘teem’
(Trauma Encoded Emotional Memory.’)
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3
The
CNS seismograph
hypothesis
This hypothesis argues that the
central
nervous system (CNS) rather than the brain is the real ‘emotion
producing organ’ in animals. This theory sees the CNS as a kind of
‘organic seismograph’ that produces ‘patterned neuronal activity’ when
stimulated by sensory stimuli from sensory receptors like eyes, ears
and noses. This constant stream of patterned neuronal activity is what
the organism experiences as emotion. Therefore, emotion is common to
all animals with a CNS and sensory organs.
According to this model, the
CNS is able to discriminate and interpret fluctuations in emotional
activity so that transduced sensory stimuli forms a ‘emotional
language.’
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4
Transduction
theory
Transduction theory describes the
process
whereby stimuli from sensory organs are translated, or more accurately
‘transduced’ into variable patterns of neuronal activity (or emotion)
which the
CNS linguistically recognizes and interprets.
This theory argues that
every
sensory precept generates a unique pattern of emotional activity so,
for
example, the emotion generated by our eyes when looking at a cat will
be
different from the emotion generated by a different cat, and the
emotions will change depending on what the cat is doing. Emotional
transduction is adaptive because it creates a rudimentary perceptual
system that
doesn't depend on a functioning brain to work.
This hypothesis
tells us that every minute of
every day,
we are subliminally translating everything we see, hear, smell, touch
and taste
into an emotional language that only our CNS understands. The implications for human psychology are significant.
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5
Seismographic
pathology and human
health
This hypothesis argues that
prolonged
over-stimulation of the CNS by ‘toxic’ transductions produces stress
emotions that precipitate psychopathology, disease and premature death
in humans. In other words, certain sights and sounds, when transduced,
can produce such toxic emotions that they damage the CNS, in some
cases, irreparably.
A new holistic view of human mental and emotional health will emerge
from an understanding of emotional transduction and its impact on the
CNS.
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6
The
dual
perception hypothesis
This hypothesis argues that what
psychologists call perception is actually a fusion of two
radically
different perceptual systems – both using the same sensory organs but
processing sensory precepts in radically different ways. While the
brain
processes precepts into comprehensible, discernible images, sounds,
smells,
etc, the original archaic but never completely replaced ‘emotional
perception
system’ transduces images, sounds, smell etc into patterns of emotion
from
which our familiar emotions are constructed.
Human perception can only
be
understood in terms of a fusion between conscious or ‘cerebral’
precepts (processed
and comprehend by the cortex) and subliminal emotional precepts
generated
directly by the CNS.
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7
Teem
theory of emotions and emotional
memory
While the patterned emotional
activity
generated by the CNS in response to sensory stimuli usually subsides
quite
quickly, occasionally the emotion is so traumatic it disrupts
homeostasis and
releases stress hormones that genetically archive the traumatic
emotions into
the person’s DNA, creating a permanent genetic record of the powerful
emotions.
These
emotions can be inherited and accessed by offspring providing them with
an
emotional memory of significant ancestral experiences.
According to this view, when we ‘feel’
an
emotion, we are in fact ‘recalling’ an emotional memory of a specific
real time
event that an ancestor experienced. All our emotions are acquired in
this way.
For example, humans can feel the emotion of jealousy only because an
archaic
individual ancestor (possibly a hominid, but more likely a primate)
genetically
archived these particular feelings and the triggers that activate them
into a
‘jealousy teem.’
Today, our myriad collection of jealousy teems
accumulated
over the eons provide us with the assortment of jealousy emotions’
ranging from
mild envy to homicidal rage.
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8
Teem
theory of innate behaviour and
instincts
While teems are simply packages
(or
quanta) of inherited emotion, when triggered, certain emotions can
precipitate adaptive behaviours that do not need to be learnt. For
example, the
emotion of fear can precipitate defensive and escape behaviours.
Similarly, the
emotions released by a ‘romance teem’ will generate romantic behaviour,
while
emotions released by our ‘spider teem’ will usually precipitate
anti-spider
responses.
According to this hypothesis, all animal
instincts and innate behaviour, including our own ‘human nature’
originated as
individual teems, each one archived by an ancestral individual and
selected for
because it proved adaptive.
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Copyright:
2005 by Danny Vendramini
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